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The Night Fire

Book Notes

This is book three of the Renée Ballard/Harry Bosch crossover, continuing the world of Bosch's Los Angeles.

Okay, at the funeral of Bosch's mentor, he is handed a murder book by the mentor's widow. Bosch is confused why, after illegally removing the unsolved murder murder book, his mentor didn't actually do anything with the case. Puzzling indeed, until plot twist at the end, when we realize the mentor didn't want anyone to investigate the murder. So there we go.

Given the events at the end of the previous Bosch/Ballard book, Bosch isn't a cop any more. The need for justice is strong in this one, however, so he keeps at the investigations as an investigator for his half brother (yeaaaaaaah, I'm not a big fan of the Lincoln Lawyer, Mickey Haller, and tend to avoid those books as a general rule). A simple confession isn't, and, hey, what do you know solving the one murder with the bogus confession leads to solving the "accidental" death that Ballard was investigating. Talk about a win-win!

I like Bosch books. He is, however, a 69 year old retired cop without a badge. There are only so many more books in the old guy. Ballard may be the way of the future, but I'm reading for the Bosch references.

If you're a Bosch completionist or fan, keep reading. If not, eh, they are reasonably good to read.

Domestic disputes were tricky. Calming anger, settling nerves, and then simply backing away might seem to be the most judicious path, but if an hour or a week or a year later the same relationship ends in a killing, the neighbors talk to the news cameras and say the police came out before and did nothing. Better safe now than sorry later. That was the rule and that was why the patrol officers wanted no part of the decision.
Page 170

Blue Moon

Book Notes

This is book 24 in the Jack Reacher series.

Book starts out with Reacher on a bus. In his usual way, he notices things. In particular, he notices both an old guy with a wad of cash in his pocket, and a younger guy who also notices the old guy with a wad of cash in his pocket. Reacher follows the young guy, who follows the old guy, off the bus, and thwarts the young guy's mugging of the old guy. Reacher then helps the old guy walk to his destination, which, unsurprisingly, is to pay off a loan shark.

Except, the payoff doesn't exactly happen as expected. Reacher, with nothing particularly planned, stays to help the old guy and his wife (and, inadvertently, their stricken daughter). Along the way, Reacher returns to form. There's the girl (nearly always the girl he bops then leaves). There's the violence with many deaths. There's the repetition of some theme (several in this book, something about 10000 generations and another one I didn't note except when reading). There's the impossible situations that Reacher survives. And there's suspension of disbelief required to keep reading about non-trained individuals being able to handle situations that are difficult for even the most highly trained individuals. You know, Classic Reacher™.

I enjoyed the book. This one is non-stop action, with some strategy in the middle. Fun read. If you're a Reacher fan, read this one. If you're not, you'll miss much of the history and nuances of the story, possibly some of the humour by repetition, but will likely still enjoy the book if you enjoy absurd action novels.

“It’s something they teach you in the army. The only thing under your direct control is how hard you work. In other words, if you really, really buckle down today, and you get the intelligence, the planning, and the execution each a hundred percent exactly correct, then you are bound to prevail.”

The Light Brigade

Book Notes

Okay, so, Starship Troopers, The Forever War, Old Man's War. Classics in the citizenship / military commentary through science fiction genre. There are others in this genre, but these are the ones that come to mind. There is a strong likelihood that in upcoming years, The Light Brigade will be in that short list of classics in the genre.

Similar to The Three, this book follows a newly enlisted grunt, Dietz in this case, through basic training and the first hit of war, all while describing the world, the history, the conflict. Of course, we learn more of the motivations and history and dystopian nature of the world as the book progresses. Despite the grim beginning, the book has a "happy" ending (as well as a book about war can be "happy"), which I understand, even if most of my recent readings have far less ... uh, happy endings. Natch.

What we do have in this book is the commentary on the military, citizenship, human nature, war, corporations, capitalism, power, and, sure, socialism. Even Frank Herbert and Ayn Rand make entrances.

Several things make Hurley's world building so compelling in this book: the complete and total mis-visualization of who Dietz is (brilliantly done), the mind-f--- that the plot twists and turns through, and the way the story telling weaves with the commentary so subtly that you forget the philosophical commentary parts of the book (yes, yes, except for the three pages of in-your-face philosophy dump that pales in comparison with Galt's 50 page radio speech (which can be totally skipped if you ever do read that book)).

Enjoyed the book. Will gladly read more of Hurley's books, looking forward to them also. Recommended.

The Moviegoer

Book Notes

Okay, this book wasn't really recommended per se, at least not for its contents. It was referenced in a Daily Stoic newsletter for its providence in ending up as the 1962 National Book Award winner, even though the publisher's president didn't like the book, and didn't promote the book, etc. The book was handed, very late in the process, to one of the award judges, who read it and nudged enough of the other readers to read it, and oh, hey, look it won. None of the process of winning the award, after writing and submitting whatever revisions Percy needed to do, was in Percy's control. Hence, the story's story in the newsletter.

I'm rather with the publishing house's president on this one, I'm very meh about it, winner or not. There are some books of earlier eras that stand up to the test of time. This is not one of them. Lots of negro this, and sexism that, and oh, I don't know what the hell I'm doing so I'll drift through life and use movie locations to define my existence.

Ahead of myself there.

Here we have Binx Bolling, a stockbroker in the early sixties. He hires women to work for him so that he can date them. He comes from a family well off enough that he doesn't seem to need to work. He has a lost cousin whose mental health is questionable after her fiancé died in a car crash days before their wedding. His aunt, the cousin's step mother, looks out for the cousin, thinks our protagonist is a charming young man (at 30) who just hasn't found his way in life.

Let me help: "Dear Auntie, Found my way, I'm going to be a slacker the rest of my life. Please send money. Love, Binx."

The main character lets others define his world (you aren't anywhere until a movie has been filmed in your neighborhood), and goes through life detached while observing, not a participant in life.

Meh, not a fan. Unless you need to read the book for class, don't.

Bloody Genius

Book Notes

This is book 12 in the Virgil Flowers series.

Similar to the previous book, Flowers follows along a number of ideas before figuring out the murder in the end. The ending isn't as expected, but was still interesting. Quick read. If you're a fan, read it. If you aren't, this one is less amusing than the earlier books, so maybe start there instead.

The woman crunched herself up, made herself smaller, opened her mouth wide to silence her breathing, a trick she’d learned in another life while taking singing lessons.
Location: 97

She never saw the person with the phone but kept her arms over her face and her head down: faces shine in the dark, and eyes are attracted to eyes.
Location: 101

“You know it’ll piss off the Minneapolis cops,” Virgil said. “Does that bother you?” Virgil said, “Well, yeah, it does, as a matter of fact.” “Huh. Too bad. Doesn’t bother me at all, since I won’t be there,” Duncan said.
Location: 219

Virgil liked all the aspects of living on a farm, except for the farmwork.
Location: 284

... she made Virgil tote the wet bedsheets and blankets out to the line in the summer because, she said, they smelled like sunshine when they were dry. Virgil had to admit she was right about that.
Location: 292

The October Man

Book Notes

Okay, this was a delightful, fast read.

Set in the Peter Grant / Rivers of London universe, we have Tobias Winter as the sole practitioner investigator in Germany, Deutschland's equivalent of Peter Grant, called into a suspicious death. He is partnered with Vanessa Sommer, an enthusiastic (and normal) investigator local to Trier, in solving the case.

Yes, I, too, was delighted by the summer and winter pairing.

The book is a quick read, what, being book 7.5 of the Rivers of London series, a novella. The "short" story (long story, but shorter than a novel) is a delightful way to both introduce new characters into the series (we're sure to see Toby in the Peter books soon), and to expand the world building.

That the murder had elements of wine making made it more entertaining.

I enjoyed the book. If you're a Ben Aaronovitch or Rivers of London fan, definitely keep reading.

‘“The wrong case’ isn’t about danger. You only have to spend a couple of nights with Traffic to know that anybody can die suddenly,” said Stefan, proving once again that he was the joyful heart of any social event.
Location: 55

Jacqueline Stracker gave us the traditional look of weary outrage that you always get from someone who thinks they don’t have time for this shit—whatever this shit happens to be.
Location: 275

Vanessa made a strange inarticulate sound common to Germans who’ve figured out how to start a sentence but don’t know how it ends.
Location: 423

This Is How You Lose The Time War

Book Notes

Oh, this is such a lovely book.

Based on the title, we know it is a book dealing with time travel (else why have a time war?). There's the briefest of adjustments in the beginning with the world building, and then we see that while the book is science fiction with two sides having agents who skip through time lines adjusting a world here, changing an action there, in order to shape the future into each side's desired outcome, and then we arrive at the heart of the tale, which is a love story.

The ending of the book is so beautiful that one wants to (and should) immediately flip back to the beginning of the book and read it again, pick up the details missed in the first reading, understand where the threads twist and cross. The different elements of history woven into the story make the story that much more beautiful.

Thoroughly enjoyed the book. Strongly recommended.

But wars are dense with causes and effects, calculations and strange attractors, and all the more so are wars in time. One spared life might be worth more to the other side than all the blood that stained Red’s hands today. A fugitive becomes a queen or a scientist or, worse, a poet. Or her child does, or a smuggler she trades jackets with in some distant spaceport. And all this blood for nothing.
Page 2

Killing gets easier with practice, in mechanics and technique. Having killed never does, for Red. Her fellow agents do not feel the same, or they hide it better.
Page 3

"If train A leaves Toronto at six p.m. travelling east at one hundred kilometres per hour, and train B leaves Ottawa at seven p.m. travelling west at one hundred twenty kilometres per hour, when will they cross?”
Page 25

The Chain

Book Notes

Again, for the 100th+ time, I need to write down why a book is on my to-read pile. Where was this one recommended? ¯\_(ツ)_/¯ I'd guess Book Riot or micro.blog.

Anyway, the basic premise is that there is a chain of kidnapped children. Once a child has been kidnapped, she / he will be returned only if a ransom is paid and the ransomee kidnaps another child and repeats the instructions, inflicts the same mental anguish, on the next family. While the kidnapped person is nearly always a child, according to the rules, the loved one to be kidnapped could be an adult. In reality you can count on a mother's love for her child FAR MORE than a partner's love for their partner, so children are "better" targets to keep the chain going.

The psychological thriller part of the idea is the progression of victim to perpetrator, that to save one's child, one must inflict the same pain on another family. The book does an okay job of conveying the mental torture of how awful this would be, to have a belief about yourself, that you are a good person who would never do these things, and yet, here you are, doing these exact horrible things. There is absolutely no good way through what would be an absolutely horrible situation, if this were real. The mental scars would be around for a long, long time, which the second half of the book tries to portray, also doing an okay job.

That none of it leaked, despite going on for six years in a relatively small area (New England) strains the reader's suspension disbelief, unless said reader realizes that, eh, there is a lot of random shit that happens to good people, and no reason that people on the other side of the world / country / state would necessarily know about it. 50+ kidnapped kids a year, ehhhhhh, could happen.

All Systems Red

Book Notes

This is book 1 in the MurderBot Diaries, and it is a fun read. I've had it in my to-read pile for a long while now, arriving there from a recommendation on microblog.

I found the book particularly amusing in that Murderbot, who is a construct with mechanical (robot) and organic (human) parts fused together to have essentially a controllable super-human, thoroughly reminded me of an acquaintance I have. Said acquaintance is very literal, doesn't give a shit about most things, is straight-forward about nearly everything, and really just wants to be left alone.

Kinda like the Murderbot.

In this first of the series, we have world building, where we understand what the Murderbot is, learn a bit about its history (it went haywire and killed a crew), and come to understand the broad strokes of its personality. It is hard not to sympathize with the Murderbot, even as it is, well, a Murderbot.

Love Wells' writing, and am eagerly anticipating reading the next three books in the series. Strongly recommended (bonus: it's a fast read).

“All right,” she said, and looked at me for what objectively I knew was 2.4 seconds and subjectively about twenty excruciating minutes.
Page 22

It was a low-stress group, they didn’t argue much or antagonize each other for fun, and were fairly restful to be around, as long as they didn’t try to talk or interact with me in any way.
Page 30

I also checked to make sure both the big hopper and the little hopper had their full complement of emergency supplies. I packed them in there myself days ago, but I was mainly checking to make sure the humans hadn’t done anything stupid with them since the last time I checked.
Page 34

Knife

Book Notes

So, apparently my count is off and this is book 12 of the Harry Hole series. Reading most of the reviews, only one gave away the major plot point (there's always one major murder to be solved or serial killer to be caught), even though the jacket blurb gives away the major plot once you know what it is, so, yeah, skipping that detail.

So, uh, I'll say, there's a murder, Harry is a suspect, he's cleared, he goes to track down the murderer.

What is terribly brilliant about the book is how so many details from previous books, some returning characters, and some half-answered questions all cascade into this one's plot. The pieces all fit together, leaving the reader to go, "Huh."

And the actual murderer?

Did. Not. See. That. Coming.

As much as I disliked the first book that I read in the series (which I read out of order), I really like these last few Harry Hole books. I'm unsure if the book could be read stand-alone, tbh. That said, if you're a fan, of course read this one, HF read this one. If you're not a fan, become one, start at book one, The Bat.

Harry had seen it in other cases, the way that someone left behind struggled with grief as if it were an enemy, an irritating nuisance that needed to be cajoled and tricked. And one way of doing that was to downplay the loss, to discredit the dead.
Location: 766

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